Sound Artist & Producer · Berlin, Germany
KMRU
KMRU is Joseph Kamaru, the Nairobi-born, Berlin-based ambient and field-recording artist behind Peel and Kin, released on Editions Mego.
quick facts
- Real name
- Joseph Kamaru
- Birthplace
- Nairobi, Kenya
- Nationality
- Kenyan
- Based in
- Berlin, Germany
- Active since
- 2017
- Genres
- Ambient, Electronica, Drone
Sources: en.wikipedia.org, kmru.bandcamp.com, debunk.media
KMRU is one of the names that changed how ambient music sounds in the early 2020s. Working with contact microphones, hydrophones and a handheld recorder, Joseph Kamaru builds long, slow pieces out of the sound of rooms, trains and rivers, then stretches and distorts them until the source disappears. He is a Kenyan artist who learned to produce on a school computer, trained as a house and techno DJ, and ended up recording for Editions Mego in Berlin.
Early Life and Path Into Music
Joseph Kamaru was born in Nairobi, Kenya, according to Wikipedia, and his Bandcamp page describes him as a sound artist working between Nairobi and Berlin. As a child he played guitar and sang in a choir, and he first discovered electronic music in high school, after finding a copy of FL Studio on the school's computers.
In an interview with Debunk Media he explained that he and his peers began in the mainstream of electronic production, making tropical house, techno and for a while Afro house, and that he wanted to DJ. The turn came on the East African Soul Train, an artists' residency on a train from Nairobi to Kilifi. He had a small iPod and a microphone on his earphones, recorded the train, and built tracks from those recordings with another passenger. The idea that sound alone could be the material, and that it did not need to be danceable, changed his approach. He moved on to a Zoom recorder, then to field recording as a discipline, invited to a Berlin residency in 2017 or 2018 where he realised, in his words, that there were many weirder people there, and by 2019 he had committed to experimental ambient and field recording.
He has a family name to carry. His grandfather, also named Joseph Kamaru, was a well-known benga musician who died in 2018, and the younger Kamaru has since reissued some of his albums on Bandcamp, a project he discussed with Pan African Music in 2022.
Sound and Style
KMRU's records are built mostly from recordings, not instruments. The Debunk interview lists his tools: a recorder, an electromagnetic microphone from the Russian company Soma, a hydrophone for rivers and underwater sound, and contact microphones for surfaces. He has said his earliest recordings were random, a recorder carried in a tote bag, and that over time he became intentional about what he records and why.
The results run long and beatless. Pan African Music describes tracks of 12 minutes and more, with little identifiable hardware as the soundscapes take shape and fade. His 2020 album Peel, released on Editions Mego, was created in 48 hours and blends organic and synthetic textures, per Wikipedia. Later work grew louder. In 2023 he released Dissolution Grip, which Wikipedia describes as a shift away from field recordings, and Pitchfork called him a "widely referenced figure in contemporary electronic music" the same year. Our best ambient albums of 2026 round-up reads his latest album as a louder, more abrasive cousin to Peel.
Labels and Releases
KMRU is prolific. Wikipedia counts almost twenty releases on Bandcamp between 2017 and 2021, and the Bandcamp page lists a catalogue that includes Peripheral with Echium (2021), Temporary Stored (2022), Natur (2024) and the collaborative Limen with Aho Ssan (2022). In 2020 alone he released Saal, Peel, Opaquer and Jar. Editions Mego, the label revived in 2006 by the late Peter Rehberg, issued Peel and, in 2026, Kin.
Career Highlights
In 2019 he appeared in an Ableton Live advertisement in which he recorded field sounds from a broken piano, and his 2019 EP Erased used piano, field recordings and synthesized drums. In 2022 he toured with the band Big Thief. Debunk Media reports that The Guardian listed him among its best new artists of 2021 and that Mixmag included his Dekmantel set among its best DJ mixes of 2022; we have not independently confirmed either list. For the Amsterdam festival's own profile, see our Dekmantel Festival guide.
Kin and the Move to Berlin
KMRU moved to Berlin in October 2020 to begin a master's programme in Sound Studies and Sonic Arts at the Universität der Künste, according to Wikipedia. His February 2026 album Kin, released on Editions Mego, is dedicated to Rehberg, the Mego founder who recorded as Pita and died in Berlin in July 2021, and it includes a track co-written with Christian Fennesz, with whom he toured the United States in 2022. We reviewed the record at length in our ambient albums list, where it ranks second.
FAQ
Who is KMRU?
KMRU is the stage name of Joseph Kamaru, a Kenyan ambient musician and sound artist born in Nairobi who is now based in Berlin. He is known for field-recording-based albums such as Peel (2020), Dissolution Grip (2023) and Kin (2026).
How old is KMRU?
KMRU has not published his birth date or year in any source we could verify, so we do not give an age. He was already releasing music on Bandcamp by 2017, and in 2020 he moved to Berlin for a master's degree.
Where is KMRU from?
KMRU is from Nairobi, Kenya. He moved to Berlin, Germany in October 2020 and describes himself as working between the two cities.
What genre does KMRU play?
KMRU plays ambient and experimental electronic music, built from field recordings, drones and noise. Our ambient list describes his latest album as abrasive ambient drone.
What is KMRU's real name?
KMRU's real name is Joseph Kamaru. He shares it with his grandfather, a well-known Kenyan benga musician who died in 2018.
What label is KMRU on?
His records have appeared on Editions Mego, which released Peel in 2020 and Kin in 2026, and he has self-released much of his catalogue on Bandcamp.
How did KMRU start making ambient music?
He began with house, techno and tropical house, then turned to field recording after recording the train sounds on the East African Soul Train residency, and committed to experimental ambient in 2019.
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